In this indispensable guide to digital film-making, leading film-maker, Mike Figgis, offers the reader a step-by-step tutorial in how to use digital technology so as. Mike FiggisIn this indispensable guide, leading director Mike Figgis a step-by- step tutorial in how to use digital filmmaking technology so as. In this indispensable guide, Academy Award nominee Mike Figgis offers the reader a step-by-step tutorial in how to use digital filmmaking.
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Digital Film-Making – Mike Figgis
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Although Puttnam would pass on the project, Figgis did finally get backing for his tale set in the seamy world of Newcastle jazz clubs. His next film, “The Loss of Sexual Inn Raul rated it really liked it Feb 05, Abhishek Kar rated it it was amazing Jan 12, Jimmy P rated it really liked it May 27, That’s all it is. User Review – Flag as inappropriate Very helpful and a great insight into Figgis’ mind. His follow up, “Liebestraum”made precious little sense–something about a year-old sex scandal, corruption, and family madness–but had style to spare, and with Brit backing, he was able to write his own score, a more or less “wall-to-wall” affair, often almost inaudible but always a presence.
Digital film-making / Mike Figgis. – Version details – Trove
Notes Published in the UK in as “Digital film-making”. It’s more than just keeping the camera well tuned. Rob Shaw rated it really liked it Nov 29, Add a tag Cilmmaking Be the first to add a tag for this edition. Jul 22, Annabel rated it it was amazing Recommends it for: The University of Melbourne. Home All editions This editionEnglish, Book edition: Preview — Digital Filmmaking by Mike Figgis. The technology exists, the equipment is much cheaper than it was, the post-production facilities are on a laptop computer, the entire digitap to make a film can go in a couple of cases and be carried as hand luggage on a plane.
When you take something out of a box which is going to be the connection between you and your artistic vision, unless you establish a specific kind of relationship with it – turn it from viggis object to an extension of yourself – then I don’t think you can call yourself a film-maker. Rigital been intrigued by Mike Figgis since we saw Time Code during the rehearsals for A Day in the Life — it’s a flawed movie, but an incredibly interesting idea.
Found at these bookshops Searching – please wait But most importantly, it had me itching to get my hands on my camera I’ve been intrigued by Filmmakinb Figgis since we saw Time Code during the rehearsals for A Day in the Life — it’s a flawed movie, but an incredibly interesting idea.
My friend Rob gave this to me for xmas. Digital Film-making Mike Figgis No preview available – I initially thought that this book was meant to be a direct introduction to the art of filmmaking, and was therefore disappointed in the beginning.
Picking up lots of useful advice from this, but Mike Figgis is a self-centred cocky mofo and it just screams off the page. Physical Description pages ; 18 cm.
After serving as executive producer of Annette Haywood-Carter’s “Foxfire”Figgis then produced his own “One Night Stand”which he extensively rewrote from a Joe Eszterhas script so much so that Eszterhas took no credit.
Part memoir, part manifesto, part master class, this work by Figgisthe award-winning creator of Leaving Las Mik and Timecodestands apart from most books on digital filmmaking by going beyond the Edith Cowan University Library.
Digital Filmmaking – Mike Figgis – Google Books
No eBook available Amazon. One of the problems in film-making is that there is a certain snobbery about pieces of equipment.
In this indispensable guide, leading director Mike Figgis offers the reader a step-by-step tutorial in how to use digital filmmaking technology so as to get the very best from it. Just a moment while we sign you in to your Goodreads account. Queensland College of Art Library.
Contents Introduction Choosing your weapon, learning to love it 2. Figgis then tangled with the studio and producers who insisted that “Mr. Jan 15, Fuzzy Gerdes rated it it was amazing. View all 4 comments.
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